Never registered
An unregistered song has no owner on file, but its royalties are still collected. If no one claims them in time, they're paid out to other rightsholders, mostly the largest publishers.
One payment comes from your distributor. The other comes from collection societies, and they only pay it once your songs are registered with them. We take care of that worldwide and go after what your songs have already earned
Your distributor collects only the master side. There's a publishing side too, and it only reaches you if someone claims it.
Distributor only
With Repertune
Already with a PRO? It only collects part of your publishing, so a real share of your income is still slipping away. Repertune collects the rest, with as little lost along the way as possible.
Whether you've never registered a song or you've been with a PRO for years, at least one of these is happening to your catalog right now.
An unregistered song has no owner on file, but its royalties are still collected. If no one claims them in time, they're paid out to other rightsholders, mostly the largest publishers.
A misspelled name, a split that doesn't add up, a recording never linked to its composition. The money arrives but can't be matched to you.
Abroad, royalties pass through a chain of partner societies, with a deduction and a delay at every hand-off. Some, like US streaming mechanicals, aren't collected by performing rights societies at all.
$424M
in unmatched US streaming mechanicals was handed to The MLC in 2021, because streaming services couldn't match it to its writers.
Source · The MLC, via Billboard228
collecting societies across 111 countries, each with its own rules, formats and deadlines.
Source · CISAC, 2025€13.97B
collected for creators by societies worldwide in 2024. The question is how much of it reaches independent writers.
Source · CISAC Global Collections Report2027
is when The MLC plans its first market-share distribution of royalties that were never claimed.
Source · The MLCNo upfront fees, no transfer of ownership, nothing to manage day to day.
Get startedSend us your Spotify link and we'll show you what's likely sitting uncollected. If you go ahead, you sign the agreement and share your songs and any co-writer splits.
Your catalog gets filed with the organizations that pay songwriting royalties across every market your music reaches, in the formats each of them requires.
Songs you released before joining get claimed too, as far back as each organization allows. The sooner they're registered, the less is lost.
Your distributor keeps paying you for the recording, and we never take a cut of it. The songwriting royalties we collect come to you on a clear statement showing where each payment came from.
Ownership, cost, and what actually happens after you sign up.
Anything missing? Ask us directly
No. Your songs stay 100% yours. You only authorize us to register them and collect on your behalf.
A percentage of what we collect for you. No signup or monthly fees, and nothing owed if we find nothing.
Your PRO collects performance royalties, and you stay with it. We don't conflict with it: your writer share keeps coming from your PRO as usual. We collect what PROs don't, like mechanical royalties from streams and unmatched money abroad.
You can register with your PRO yourself, but most societies abroad only work with publishers or administrators, each with its own rules and deadlines. Keeping up with all of them is a full-time job.
They're held for a while, then paid out to other rightsholders by market share, mostly the biggest publishers. The sooner your songs are registered, the less you lose.
Usually 9 to 12 months for the first payments, and longer from some countries.
Send us your Spotify link and we'll see what's likely sitting uncollected. No commitment.
Get started